The Work-in-Progress Show’s visual identity showcased the process behind their generation, whilst acting as a soft release to the final show — RCA2020. It sought to reflect the undeveloped nature of the show, by displaying the initial loose experiments of the “2”s and “0”s across all three campuses (Kensington, Battersea and White City).

Designed in collaboration with Philip Veech & Sean Steed.